Marat Revisited

In the course of 'playing' with collage I have been revisiting some favourite 'Old Masters' as a learning exercise.  It is not a new thing, copying famous works. Students of painting have been doing this for centuries.


The Death of Marat is a 1793 painting in the Neoclassic style by Jacques-Louis David and is one of the most famous images of the French Revolution. This work refers to the assassination of radical journalist Jean-Paul Marat, killed on the 13^th of July 1793 by Charlotte Corday, a French Revolutionary figure from a minor aristocratic family. Corday, who blamed Marat for the September Massacres and feared an all out civil war, claimed "I killed one man to save 100,000."

  

My image, by the nature of collage, is much less detailed.  I hope that it captures some of the feeling of the original.  I regard it as a homage to Jacques-Louis David



Marat Revisited

Practising art is, as stated, constant practising, in the hope to one day be able to say with conviction... "I AM an artist".

Teapots

Since starting this blog I have neglected the fact that, until this year, most of my time was spent making pots... relatively successfully. That is, if the sale of everything I made is a measure of success.  I did win a few decent awards, mainly for non-functional, or funky, teapots. While in Sydney I won two firsts in the Sydney Teapot Show, and since moving here have also won the 'Creative Teapot' award at the Maleny Teapot Show.

"Hello Sailor" - (non-functional teapot)

"The Flasher" -(non-functional teapot)

These teapots came from a complete series, over many years, of 'conversational' pots that I will soon add to this blog in my portfolio. I will need to scan some photos (when I find time) as I began this series before digital cameras.

This is the year to give up pots in favour of painting.  It is far too difficult to do both successfully, and I really love to paint.

Exhibition Opening

Saturday night fellow bloggers Fiona and Barry opened their exhibition at Studio 4 Gallery on the Sunshine Coast.  It was a beautiful Queensland evening and the gallery was buzzing.  The work is exquisite and the collaboration between the two is perfect.

In the above photo I am holding some earrings that Kim won in a giveaway by 'Altered Alchemy' blogger Luthien Thye. She brought them to the opening just to show me. I sooo admired them she let me hold them for a moment or two.

I purchased a gorgeous bowl made by Barry who explained the in-depth construction process. Not only does he use recycled metals, timber, etc., in his work but he also makes some of the necessary tools required.

I found this bowl particularly appealing because of the different metals and the folds. His work can be found here:    http://barrysmithart.com/

Fiona's quiet, reflective calligraphy and bookmaking was the perfect counterpoint to these robust works. I loved this book.

"No Return"

"No Return" - detail

You can find more of her work here:    http://fionadempster.com/

Congratulations to both artists.

Matchbox Collage

I came across collage site (http://scrapiteria.blogspot.com/) in my travels across the ether.  This group of collagists posts a challenge each week and I couldn't resist this one.

The brief was to collage the inside of a matchbox!  Too good to pass up. My efforts are not too neat, but hey, neatness is not my forte these days.


"Eye In The Sky"

My matchbox was 5 x 3 cm, very tiny, and might not even be published on their blog, but I felt compelled to give it a go.

Last night I went to Fiona & Barry's new exhibition opening at a lovely, intimate little gallery at "Town Of Seaside" (romantic name) on the Sunshine Coast.  When I sort through the umpteen photos I took, I'll post some next blog.

On the Easel

The local Rotary Club is having its second  annual 'Suncoast' art exhibition next month, and I've been fortunate enough to be invited to show. Am working on three paintings, all on a coastal theme. Two are still not ready to show you but this is almost done.

Dicky Beach

An aerial view of my favourite beach named after a wreck, the SS Dicky, an iron screw steamship washed ashore during a storm in 1893. There's a little flare in the bottom left of the photo. Not ideal conditions for camera.

Last year we were away for the opening but I am looking forward to  attending this year.  It is held in the very glam 'Rumba' resort in Caloundra.

Exhibition openings are always fun, tho' R tends to disappear into the woodwork (if he comes with me). I value his support, but that doesn't mean he has to endure hours of 'artspeak' so I leave him at home unless I am actually showing work.

E, F, G, H - the ALaW project

At last! Have managed to find the camera and get into the studio. Where does the time go?  When I eventually get there I find soooo many projects that I don't know where to start. This is a stack of paintings in various stages of completion, all awaiting attention.

Ignoring all that, I have photographed my February letters for the 'A Letter A Week' project. (see http://aletteraweek2011.blogspot.com/ )

As always, when I revisit my work I find areas that require 'tweaking' and perhaps so will these but, for the moment, here they are. Nothing if not colourful.

Working with Adobe

I love altering my photos with Adobe Photoshop.  Any ordinary old snap can be miraculously changed to provide inspiration for my art.  To demonstrate, here is a VERY ordinary snap of some eroded ground taken on my morning walk.



Step 1: Adjustments - Hue/Saturation - Hue +10, Saturation +59, Lightness –22



Step 2: Adjustments - Brightness/Contrast =   Brightness –9, Contrast +24


Step 3: Adjustments - Selective Colour = Blues... Cyan –100, Magenta +100, Black +62


Step 4: Adjustments -  Replace Colour, select mid range brown on image with cursor = Fuzziness 40, Hue +180, Saturation +100, Lightness +41 


 Step 5: Adjustments- Selective colour,Yellows = Cyan +100, Yellow –100, Black + 15 


Step 6: Adjustments -  Replace colour, choose brown/grey portion with cursor = Fuzziness 38, Hue+ 180, Saturation +100, Lightness +84

 Step 7:  Adjustments - Replace colour, choose pink edge of cloud = Fuzziness 40, Hue +90



Step 8:  (hard to see in photo) Select an oblong section with the rectangular marquee tool -  Filter/Rough Pastels = Stroke Length 8, Detail 5, Texture canvas, Scaling 100%, Relief 14, Light Direction bottom



 Step 9:  Same selection – Hue/Saturation = Hue +38, Saturation +55, Lightness – 23



Step 10:   Copy same selection using Ctrl C Ctrl V, "twice".  This will give you 3 layers on layers menu. By selecting Layer 1 or 2  you can use the move tool to move these pieces around until happy with the arrangement then in the layer drop down menu select flatten image



Step 11:  Using rectangular marquee as previous step, choose horizontal oblong, copy, move, flatten image



Step 12:  Filter/Dry Brush = Brush Size 5, Detail 5, Texture 2

From Step 12,  I arbitrarily chose a section to crop into a square format.  It could've been from anywhere in the image.

Thus the original became my own special inspiration.

Quite probably some Adobe 'whiz' could've arrived at the final destination a lot faster, but the journey from start to finish is an exploratory one.  Each individual makes his/her own decisions along the way.

This project has taken me away from the studio and camera, so my next blog will be my second 'A Letter A Week' which is sitting there waiting to be photographed.  Stay tuned.